Germany. Something rattling in the crowded cloakroom of my brain. An ancient feeling, a memory of feeling, some old bitterness. I can deride her to myself, to others, but it chips off none of her gloss. There she is in all the photographs, smiling her closed-mouth smile. For the longest time I thought I didn't care anymore. I don't care. This is an ancient, closed-mouth memory.
Sardonic. Complicated. Humorous. A little bit brilliant. I will admit that Grass is never ordinary. A dentist, a teacher, young leftists (what will they grow up into?). Great, frenzied knot of humanity. All of these teachers dead, their information useless when measured against the whole, part of the whole, the whole damned thing, the hole.
Sometimes I think I want to swallow it all, let my body grow bloated with the world.
There will always be pain.
(An experiment I'm trying. Will anyone notice? I'm full of uncommitted ideas.)
Eberhard, why not? You don't recover from a fifteen-year-old pain. And especially not a four-and-a-half-year-old one. For that there's only local anaesthetic. A silly diversion, like television. (The editors say, "No one will get it." Brilliance thwarted. Mediocrity gains another point. Pshpshpshpshpsh.) But who does he write for? The educated curious with a literary bent? Thousands out of billions? Trickle-down philosophy? Most of them shout, "Who cares? Let us watch basketball, reality TV!" They cannot even say you are boring, Grass, because how would they know you? It's only us, haunters of used bookstores and library book sales, who prowl your yellowed pages. (Finger over flame. Why not? Anaesthetized.)
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